No. 45 (2019): Scientific collections of the Lviv National Music Academy named after MV Lysenko

Статті

• MODEL OF THE VOCAL COACH PROFESSIONAL TRAINING IN THE CONTEXT OF THE FOLLOWING STUDIES OF THE PIANIST-CONCERTMASTER

  Tetiana Molchanova

  6-16

  • PDF (Українська)

• GENDER ISSUES IN THE UKRAINIAN MUSIC JOURNALISM OF GALICIA (OF FIRST THIRD OF THE XX CENTURY)

  Oksana Frait

  16-28

  • PDF (Українська)

• ASSOCIATIVE THINKING AS A LEADING METHOD FOR DETERMINING INTERVALS BY EAR

  Anna Utina

  28-44

  • PDF (Українська)

• THE ARTISTIC CHORAL MUSIC FOR CHILDREN OF MYRON DATSKO

  Anna Nemerko

  44-52

  • PDF (Українська)

• EVOLUTION OF WESTERN UKRAINIAN FOLK INSTRUMENTAL ENSEMBLES IN THE 20TH – EARLY 21ST CENTURIES

  Iryna Fedun

  53-69

  • PDF (Українська)

• ABOUT THE MEANING OF THE TERMS AUTOCHTHONOUS AND AUTHENTIC IN RELATION TO THE TERM «TRADITIONAL MUSICAL INSTRUMENT»

  Liliia Pasichniak

  69-90

  • PDF (Українська)

• MUSICAL EDUCATION AND PERFORMANCE AS A COMPONENT OF THE PRACTICAL WORK OF THE GALICIAN PRIESTHOOD OF THE END AND THE BEGINNING OF THE XIX-XX CENTURIES

  Maria Sydir

  90-102

  • PDF (Українська)

• СIRCUMSTANCES OF ARREST AND EXILE OF BORYS KUDRYK (BASED ON CRIMINAL CASE FROM ARCHIVES THE SECURITY SERVICE OF UKRAINE)

  Kateryna Zagnitko, Tetyana Teslya

  102-113

  • PDF (Українська)

• HUNTER MUSIC AND ARTS FESTIVAL IN THE PERIOD OF IGOR SONEVYTSKY'S ORGANIZATIONAL ACTIVITY (1982-2004)

  Yurii Ostrovskyi

  114-127

  • PDF (Українська)

• VOCAL AND INSTRUMENTAL ENSEMBLE "ARNICA" IS AN INNOVATOR OF UKRAINIAN POPULAR MUSIC OF THE 1970S

  Bohdan Kokotaylo

  127-141

  • PDF (Українська)

• REFORM BY FRANCO OF COLOGNE AS THE BASIS OF RHYTHMIC NOTATION

  Mykola Khshanovskyi

  141-151

  • PDF (Українська)

• THE NATIONAL NATURE OF VITAISM AND VASILY BARVINSKY

  Liliya Nazar

  152-170

  • PDF (Українська)

• FOUR ROMANCES OP. 11 BY PYLYP KOZYTSKY: UNDER THE SIGN OF MODERNISM

  Angelina Mamona

  170-182

  • PDF (Українська)

• SOME ASPECTS OF UPGRADING THE SOUND A PIANO IN THE ERA OF MUSICAL RADICALISM OF THE EARLY TWENTIETH CENTURY

  Natalya Martynova

  182-198

  • PDF (Українська)

• THE EVOLUTION OF THE PIANO BALLAD GENRE IN UKRAINIAN MUSIC

  Nataliya Sydir

  198-210

  • PDF (Українська)

• CHORAL WITH VARIATIONS BY VINCENT DANDY - THE PROBLEM OF BUILDING A ХХ CENTURY VIOLA`S REPERTOIRE

  Yaryna Horbachevska

  211-223

  • PDF (Українська)

• THE NATIONAL ORIGINS OF THE CREATIVE WORK OF EUGENE YSAYE AND THE INFLUENCE OF BELGIAN ARTISTS IN THE FORMATION OF A DISTINCT PERFORMING AND COMPOSING STYLE

  Kateryna Nazarenko

  224-247

  • PDF (Українська)

• VIOLIN CYCLE BY BOHDAN SHYPTUR WITH EPIGRAPHS FROM CHILDREN’S POETRY OF MARIIKA PIDHIRIANKA

  Iryna Borukh

  247-256

  • PDF (Українська)

• FIRST CHINESE CONCERTO FOR VIOLIN AND ORCHESTRA MA SIСONG AS AN EXAMPLE OF SYNTHESIS OF THE EUROPEAN AND NATIONAL STYLE PARADIGM

  Li Yan Long

  256-278

  • PDF (Українська)

• THE METAMORPHOSES OF CONCERNITY AESTHETICS IN KRZYSZTOF PENDERECKI’S VIOLINS AND DOPPIO CONCERTS

  Nataliya Samostrokova

  279-289

  • PDF (Українська)

• LITTLE-KNOWN FORERUNNER OF «TURANDOT» OF GIACOMO PUCCINI – «TURANDA» OF ANTONIO BAZZINI

  Wang Yu

  290-308

  • PDF (Українська)

• ORCHESTRA IN CONCERTS OF JOHANN JOACHIM QUANTZ IN THE LIGHT OF THE DOCTRINES OF INSTRUMENTAL PERFORMANCE OF THE BAROQUE PERIOD

  Vadym Horbal

  308-320

  • PDF (Українська)

• THE ROMANTIC METAPHORISM OF THE FIGURATIVE WORLD: "TURNING TO YOU" BY E. KNAPIK

  Lyubava Sydorenko

  321-332

  • PDF (Українська)