No. 3-4(50-51) (2024): Ukrainian music: scientific journal

Статті

LITURGICAL CYCLE I. LAVROVSKY IN THE CONTEXT OF STYLISTIC CHANGES IN THE ARTIST’S WORK

Nataliia Hrynyshyn

7-15
- PDF (Українська)
«JOSEPH HAYDN. THE SEVEN LAST WORDS OF JESUS ON THE CROSS»: SPIRITUAL AND ART PROJECT IN LVIV DURING THE WAR

Nina Dyka

16-25
- PDF (Українська)
NATIONAL MENTALITY IN UKRAINIAN AND CHINESE CHAMBER MUSIC: A COMPARATIVE ASPECT

Victoriia Kashaiuk

26-34
- PDF (Українська)
SYNTHESIS OF JAZZ ELEMENTS AND CLASSICAL FORMS IN CONTEMPORARY MUSICAL ART

Inesh Kdyrova, Olga Juldiyeva, Oleksandr Myroshnychenko

35-41
- PDF (Українська)
CONTINUER OF GLORIOUS MUSICAL TRADITIONS: TO THE 100TH ANNIVERSARY OF THE BIRTH OF SINGER OLEG NYZHANKIVSKY

Liliia Kostruba

42-55
- PDF (Українська)
STRUGGLE ON THE ARTISTIC FRONT. UKRAINIAN WARTIME SONG TRADITION

Kostiantyn Krepak

56-63
- PDF (Українська)
THE PHENOMENON OF GUITAR PROFESSIONALISM: A VIEW THROUGH THE PRISM BY ONTOLOGY AND PSYCHOLOGY OF CREATIVITY

Yurii Kurach

64-71
- PDF (Українська)
TARAS PETRYNENKO’S SONG CREATIVITY IN THE SOCIO-CULTURAL CONTEXT OF UKRAINE IN THE SECOND HALF OF THE 1980S

Veronika Levko, Yuliia Antypenko

72-82
- PDF (Українська)
OBSERVATIONS ON THE NATURE OF NATIONAL MUSICAL INTONATION FROM THE ASPECT OF SYSTEMIC UNDERSTANDING

Myroslava Novakovych

83-90
- PDF (Українська)
«TEN PRELUDES» O. 46 BY FEDIR YAKYMENKO: AN OUTSTANDING EXAMPLE OF IMPRESSIONISM IN UKRAINIAN MUSIC

Oksana Pysmenna, Dariia Hordiichuk

91-104
- PDF (Українська)
YURII YASINOVSKYI ANNIVERSARY: AT THE EPICENTER OF IRMOLOY SENSES

Natalia Syrotynska

105-113
- PDF (Українська)
FORMATION OF PROFESSIONAL GUITAR ART IN LVIV

Anton Sopiga

114-119
- PDF (Українська)
ANDRONYK STEPOVYCH AND HIS MUSICAL AND CRITICAL ACTIVITY

Oleksandra Stepanska

120-133
- PDF (Українська)
TWELVE WALTZES FOR DOUBLE BASS SOLO BY DOMENICO DRAGONETTI: THE PERFORMANCE ASPECT

Chen Sianchun

134-140
- PDF (Українська)
CHAMBER MUSIC OF IVAN NEBESNYY: AT THE INTERSECTION OF TRADITION AND INNOVATION

Kateryna Cherevko

141-147
- PDF (Українська)
LVIV PARTES MANUSCRIPT: THE ISSUES OF AUTHOR ATTRIBUTION OF ANONYMOUS WORKS

Olha Shumilina

148-155
- PDF (Українська)
THE INFLUENCE OF JOSEPH KESSLER ON THE FORMATION OF CULTURAL AND ARTISTIC TRADITIONS IN LVIV IN THE FIRST HALF OF THE 19TH CENTURY

Nadiya Yavna

156-164
- PDF (Українська)

MATERIALS

THE LIFE-CREATIVE HYPOSTASES OF IGOR PYLATYUK (JUBILEE ESSAY TO THE 70TH ANNIVERSARY OF HIS BIRTH)

Liubov Kyianovska

165-186
- PDF (Українська)
IN HONOR OF YURI YASINOVSKY ACTA NON VERBA! DEEDS ARE NOT WORDS!

Uliana Hrab

187-196
- PDF (Українська)
ZHAK GANDSHIN AND HIS UNDERSTANDING OF THE ESSENCE OF MUSICAL SCIENCE IN THE MID-20TH CENTURY

Oksana Hnatyshyn

197-210
- PDF (Українська)
STANISLAV LYUDKEVYCH AND HRYHORIY TERLETSKY: LIFE AND MUSICAL-PEDAGOGICAL CONTACTS

Yakym Horak

211-227
- PDF (Українська)

CONCERT LIFE, REVIEWS

A PARABLE OF LOVE, SACRIFICE, AND OVERCOMING FEAR (premiere of the opera «The Little Mermaid» by Yasuhiro Kasamatsu at The Solomia Krushelnytska Lviv Opera And Ballet Theater)

Liubov Kyianovska

228-231
- PDF (Українська)

No. 3-4(50-51) (2024): Ukrainian music: scientific journal

Full Issue

Статті

LITURGICAL CYCLE I. LAVROVSKY IN THE CONTEXT OF STYLISTIC CHANGES IN THE ARTIST’S WORK

«JOSEPH HAYDN. THE SEVEN LAST WORDS OF JESUS ON THE CROSS»: SPIRITUAL AND ART PROJECT IN LVIV DURING THE WAR

NATIONAL MENTALITY IN UKRAINIAN AND CHINESE CHAMBER MUSIC: A COMPARATIVE ASPECT

SYNTHESIS OF JAZZ ELEMENTS AND CLASSICAL FORMS IN CONTEMPORARY MUSICAL ART

CONTINUER OF GLORIOUS MUSICAL TRADITIONS: TO THE 100TH ANNIVERSARY OF THE BIRTH OF SINGER OLEG NYZHANKIVSKY

STRUGGLE ON THE ARTISTIC FRONT. UKRAINIAN WARTIME SONG TRADITION

THE PHENOMENON OF GUITAR PROFESSIONALISM: A VIEW THROUGH THE PRISM BY ONTOLOGY AND PSYCHOLOGY OF CREATIVITY

TARAS PETRYNENKO’S SONG CREATIVITY IN THE SOCIO-CULTURAL CONTEXT OF UKRAINE IN THE SECOND HALF OF THE 1980S

OBSERVATIONS ON THE NATURE OF NATIONAL MUSICAL INTONATION FROM THE ASPECT OF SYSTEMIC UNDERSTANDING

«TEN PRELUDES» O. 46 BY FEDIR YAKYMENKO: AN OUTSTANDING EXAMPLE OF IMPRESSIONISM IN UKRAINIAN MUSIC

YURII YASINOVSKYI ANNIVERSARY: AT THE EPICENTER OF IRMOLOY SENSES

FORMATION OF PROFESSIONAL GUITAR ART IN LVIV

ANDRONYK STEPOVYCH AND HIS MUSICAL AND CRITICAL ACTIVITY

TWELVE WALTZES FOR DOUBLE BASS SOLO BY DOMENICO DRAGONETTI: THE PERFORMANCE ASPECT

CHAMBER MUSIC OF IVAN NEBESNYY: AT THE INTERSECTION OF TRADITION AND INNOVATION

LVIV PARTES MANUSCRIPT: THE ISSUES OF AUTHOR ATTRIBUTION OF ANONYMOUS WORKS

THE INFLUENCE OF JOSEPH KESSLER ON THE FORMATION OF CULTURAL AND ARTISTIC TRADITIONS IN LVIV IN THE FIRST HALF OF THE 19TH CENTURY

MATERIALS

THE LIFE-CREATIVE HYPOSTASES OF IGOR PYLATYUK (JUBILEE ESSAY TO THE 70TH ANNIVERSARY OF HIS BIRTH)

IN HONOR OF YURI YASINOVSKY ACTA NON VERBA! DEEDS ARE NOT WORDS!

ZHAK GANDSHIN AND HIS UNDERSTANDING OF THE ESSENCE OF MUSICAL SCIENCE IN THE MID-20TH CENTURY

STANISLAV LYUDKEVYCH AND HRYHORIY TERLETSKY: LIFE AND MUSICAL-PEDAGOGICAL CONTACTS

CONCERT LIFE, REVIEWS

A PARABLE OF LOVE, SACRIFICE, AND OVERCOMING FEAR (premiere of the opera «The Little Mermaid» by Yasuhiro Kasamatsu at The Solomia Krushelnytska Lviv Opera And Ballet Theater)

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