No. 1(48) (2024): Ukrainian music: scientific journal

Статті

THE CONCEPT OF “TIME” IN THE CHAMBER MUSIC OF MODERN COMPOSERS OF UKRAINE AND CHINA

Iryna Antonyuk

7-13
- PDF (Українська)
ENSEMBLE SOLI (MALE QUARTETS) IN THE CHORAL WORKS OF UKRAINIAN COMPOSERS OF THE BAROQUE AND CLASSICІSM ERA

Roman Antonyuk

14-26
- PDF (Українська)
SPECIFITY OF VICTOR KAMINSKY’S TIMBRAL AND DRAMATICAL THINKING ON THE EXAMPLE OF THE FIRST SYMPHONY

Bohdan Dashak

27-39
- PDF (Українська)
PECULIARITIES OF CHAMBER-INSTRUMENTAL CREATIVITY OF FEMALE COMPOSERS ON THE EXAMPLE OF VIOLIN SONATAS LUISE ADOLFA LE BEAU AND AMANDA RÖNTGEN-MAIER

Daryna Dovha

40-45
- PDF (Українська)
STRING QUARTET BY V. FLYS IN THE INTERPRETIVE DISCOURSE OF THE COMPOSER'S WORK (TO THE 100TH ANNIVERSARY OF HIS BIRTH)

Yurii Zavadovskyi

46-54
- PDF (Українська)
THE METHODOLOGICAL HERITAGE OF M.P. VERZHBYTSKA AND THE TRADITIONS OF THE ODESSA VOCAL SCHOOL

Tetyana Zakharchuk, Sergij Taranets

55-67
- PDF (Українська)
THE CREATIVE PERSONALITY OF MYROSLAV ANTONOVYCH IN THE MIRROR OF DIASPORA PUBLICITY IN THE USA

Hanna Karas

68-77
- PDF (Українська)
UKRAINIAN HERITAGE OF THE MUSICAL PEDAGOGY IN UKRAINIAN PEOPLE’S REPUBLIC ERA (M. LEONTOVYCH, K. STETSENKO, J. STEPOVYI)

Nataliia Kobryn

78-88
- PDF (Українська)
SOCIO-CULTURAL FUNCTIONS OF MODERN UKRAINIAN ART IN PROJECTION ON THE INFRASTRUCTURE OF MUSICAL LIFE

Zoryana Lastovetska-Solanska

89-100
- PDF (Українська)
PHENOMENOLOGICAL IN MUSIC: ONTOLOGICAL ASPECT

Oleksandr Opanasiuk

101-111
- PDF (Українська)
MULTI-TIMBRAL FREE-PRESET BAYAN “UKRAINE 106/64Х120/58-ІV-15” AS A PROFESSIONAL CONCERT INSTRUMENT OF ACADEMIC PHILHARMONIC ORIENTATION

Olena Reznik

112-126
- PDF (Українська)
FERENC LISZT’S UNIVERSALISM THROUGH THE PRISM OF RECEPTION OF JOHANN SEBASTIAN BACH’S CREATIVITY

Stepan Solansky

127-133
- PDF (Українська)
MYKHAYLO DRAY-KHMARA: MUSICALITY OF LIFE AND POETIC CREATIVITY

Oleksandra Stepanska

134-145
- PDF (Українська)
MA SICONG’S SYMPHONIC CREATIVITY IN THE CONTEXT OF DEVELOPMENT CHINESE MUSICAL ART OF THE 20TH CENTURY

Xu Shangming

146-152
- PDF (Українська)
THE SUBJECT OF “SEASONS” IN THE MODERN INSTRUMENTAL AND ENSEMBLE WORK OF COMPOSERS OF UKRAINE AND CHINA

Chang Yuan

153-158
- PDF (Українська)
NATIONAL AND PATRIOTIC CREATIVITY OF ISYDOR VOROBKEVYCH: A SYNTHESIS OF EUROPEAN MODELS AND UKRAINIAN ARCHETYPES

Svitlana Chobaniuk, Liubov Kyianovska

159-166
- PDF (Українська)
UKRAINIAN-CHINESE INTERACTIONS IN CHORAL ART IN THE FIRST THIRD OF THE 20TH CENTURY

Ye. Yuan

167-173
- PDF (Українська)
VOCAL TRIOS FOR VOICE, VIOLIN AND PIANO ON THE THEMES OF UKRAINIAN FOLK SONGS BY ROMAN PRYDATKEVICH

Olga Yalovenko

174-185
- PDF (Українська)

MATERIALS

MYKOLA KOLESSA AND STANISLAV LUDKEVICH: CONTACTS, CORRESPONDENCE AND COOPERATION OF LUMINARIES

Yakym Horak

186-208
- PDF (Українська)
THE UKRAINIAN SPIRIT IN AN INTERNATIONAL CULTURAL AND MUSICAL ACT NATALIA REVAKOVICH

Liliya Nazar-Shevchuk

209-219
- PDF (Українська)

CONCERT LIFE, REVIEWS

THE UKRAINIAN SPIRIT IN AN INTERNATIONAL CULTURAL AND MUSICAL ACT NATALIA REVAKOVICH

Nina Dyka

220-229
- PDF (Українська)

IN MEMORIAN

“I HAVE ALWAYS SOUGHT TO BRING OUT INTO THE WORLD THE DIVINE POTENTIAL OF THE SOUL...”. IN MEMORY OF ANNA DASHAK

Myroslava Zhyshkovich

230-236
- PDF (Українська)

Full Issue

Статті

THE CONCEPT OF “TIME” IN THE CHAMBER MUSIC OF MODERN COMPOSERS OF UKRAINE AND CHINA

ENSEMBLE SOLI (MALE QUARTETS) IN THE CHORAL WORKS OF UKRAINIAN COMPOSERS OF THE BAROQUE AND CLASSICІSM ERA

SPECIFITY OF VICTOR KAMINSKY’S TIMBRAL AND DRAMATICAL THINKING ON THE EXAMPLE OF THE FIRST SYMPHONY

PECULIARITIES OF CHAMBER-INSTRUMENTAL CREATIVITY OF FEMALE COMPOSERS ON THE EXAMPLE OF VIOLIN SONATAS LUISE ADOLFA LE BEAU AND AMANDA RÖNTGEN-MAIER

STRING QUARTET BY V. FLYS IN THE INTERPRETIVE DISCOURSE OF THE COMPOSER'S WORK (TO THE 100TH ANNIVERSARY OF HIS BIRTH)

THE METHODOLOGICAL HERITAGE OF M.P. VERZHBYTSKA AND THE TRADITIONS OF THE ODESSA VOCAL SCHOOL

THE CREATIVE PERSONALITY OF MYROSLAV ANTONOVYCH IN THE MIRROR OF DIASPORA PUBLICITY IN THE USA

UKRAINIAN HERITAGE OF THE MUSICAL PEDAGOGY IN UKRAINIAN PEOPLE’S REPUBLIC ERA (M. LEONTOVYCH, K. STETSENKO, J. STEPOVYI)

SOCIO-CULTURAL FUNCTIONS OF MODERN UKRAINIAN ART IN PROJECTION ON THE INFRASTRUCTURE OF MUSICAL LIFE

PHENOMENOLOGICAL IN MUSIC: ONTOLOGICAL ASPECT

MULTI-TIMBRAL FREE-PRESET BAYAN “UKRAINE 106/64Х120/58-ІV-15” AS A PROFESSIONAL CONCERT INSTRUMENT OF ACADEMIC PHILHARMONIC ORIENTATION

FERENC LISZT’S UNIVERSALISM THROUGH THE PRISM OF RECEPTION OF JOHANN SEBASTIAN BACH’S CREATIVITY

MYKHAYLO DRAY-KHMARA: MUSICALITY OF LIFE AND POETIC CREATIVITY

MA SICONG’S SYMPHONIC CREATIVITY IN THE CONTEXT OF DEVELOPMENT CHINESE MUSICAL ART OF THE 20TH CENTURY

THE SUBJECT OF “SEASONS” IN THE MODERN INSTRUMENTAL AND ENSEMBLE WORK OF COMPOSERS OF UKRAINE AND CHINA

NATIONAL AND PATRIOTIC CREATIVITY OF ISYDOR VOROBKEVYCH: A SYNTHESIS OF EUROPEAN MODELS AND UKRAINIAN ARCHETYPES

UKRAINIAN-CHINESE INTERACTIONS IN CHORAL ART IN THE FIRST THIRD OF THE 20TH CENTURY

VOCAL TRIOS FOR VOICE, VIOLIN AND PIANO ON THE THEMES OF UKRAINIAN FOLK SONGS BY ROMAN PRYDATKEVICH

MATERIALS

MYKOLA KOLESSA AND STANISLAV LUDKEVICH: CONTACTS, CORRESPONDENCE AND COOPERATION OF LUMINARIES

THE UKRAINIAN SPIRIT IN AN INTERNATIONAL CULTURAL AND MUSICAL ACT NATALIA REVAKOVICH

CONCERT LIFE, REVIEWS

THE UKRAINIAN SPIRIT IN AN INTERNATIONAL CULTURAL AND MUSICAL ACT NATALIA REVAKOVICH

IN MEMORIAN

“I HAVE ALWAYS SOUGHT TO BRING OUT INTO THE WORLD THE DIVINE POTENTIAL OF THE SOUL...”. IN MEMORY OF ANNA DASHAK

Language

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