No. 2(45) (2023): Ukrainian music: scientific journal

Статті

TRANSGRESSIVE PROCESSES IN THE MUSICAL ART OF POST-SOVIET COUNTRIES

Liubov Kyianovska

7-17
- PDF (Українська)
UKRAINIAN MUSIC BIOGRAPHICAL RESEARCH: ON THE PROBLEM OF CHOICE OF METHODOLOGICAL COORDINATES

Uliana Hrab

18-26
- PDF (Українська)
PECULIARITIES OF MYKOLA LASTOVETSKYI’S POLYPHONIC WRITING ON THE EXAMPLE OF “FIFTY POLYPHONIC PIECES-CANONS ON THE THEMES OF UKRAINIAN FOLK SONGS” FOR PIANO

Zoryana Lastovetska-Solanska

27-36
- PDF (Українська)
THE CREATIVE FIGURE OF DARIA STAROSOLSKA (SHUHEVICH) IN THE CONTEXT OF THE NATIONAL AND CULTURAL LIFE OF UKRAINIANS IN LVIV AT THE END OF THE 19TH AND THE BEGINNING OF THE 20TH CENTURIES

Oksana Grabovska

37-43
- PDF (Українська)
ІНТЕРПРЕТАЦІЯ РИТМУ В ПАРТЕСНИХ ТВОРАХ

Nataliia Kliuchynska

44-50
- PDF (Українська)
FEATURES OF THE MUSICAL LANGUAGE OF THE CHINESE ART SONG OF THE FIRST THIRD OF THE 20TH CENTURY BY HUANG ZI “THREE DESIRES OF A ROSE”

Chengjian Xiong

51-58
- PDF (Українська)
COMPOSING ACTIVITY OF V.I. SKURATOVSKYI IN THE CONTEXT OF HIS UNIVERSALISM

Olha Skuratovska

59-66
- PDF (Українська)
EVOLUTION OF SOUND: PRACTICES OF PREPARED PIANO IN MUSIC OF THE 20TH – EARLY 21ST CENTURIES

Xiao Xiao

67-73
- PDF (Українська)
TWELVE-SOUND VERTICAL ROWS IN THE COMPOSITION GAO WEIJIE “MYSTERIOUS DREAM” FOR VIOLA AND PIANO SOLO

Zeyi Zhang

74-84
- PDF (Українська)
JIANG WENYE’S PIANO SONATAS AS THE EMBODIMENT OF THE COMPOSER’S ORIGINAL STYLE

Mengzhao Chen

85-97
- PDF (Українська)
THE SIGNIFICANCE OF MUSIC COMPOSITION IN THE ACTIVITIES OF UKRAINIAN SOCIETIES AND ART CENTERS OF GALICIA BEFORE 1939 AS A NATIONAL-CONSOLIDATING FACTOR OF THE UKRAINIAN COMMUNITY

Iryna Poliakova, Zoriana Ros

98-106
- PDF (Українська)
TRADITION AND INNOVATION IN CONCERT FOR YANGQIN AND ORCHESTRA “RHAPSODY” BY WANG DANHONG

Oksana Pusmenna

107-115
- PDF (Українська)
DEVELOPMENT OF EUROPEAN PERFORMANCE ON LITHOPHONE AT THE END OF THE 18TH – IN THE 19TH CENTURIES

Dmytrо Оliinyk

116-124
- PDF (Українська)
AESTHETIC AND STYLISTIC GUIDELINES OF CHORAL ITALIAN MUSIC OF THE FIRST HALF OF THE 20TH CENTURY

Alla Sheiko, Volodymyr Sheiko

125-130
- PDF (Українська)

MATERIALS

OBSERVATIONS ON MUSIC DURING WARS AND POLITICAL CONFLICTS

Helmut Loos

131-136
- PDF (Українська)
ORIGINAL UKRAINIAN DOMRA REPERTOIRE AT THE PRESENT STAGE OF DEVELOPMENT

Tetiana Lukina

137-141
- PDF (Українська)

MUSICAL YOUTH SPEAKS

LVIV'S MUSICAL LIFE AFTER FEBRUARY 24, 2022

Mariia Sydorak

142-147
- PDF (Українська)

CONCERT LIFE, REVIEWS

THROUGH THE PAGES OF OLEKSIY VOITENKO'S BOOK "IN MEMORIAM. COMPOSER VOLODYMYR ZAHORTSEV"

Oleksandra Dmytriieva

148-150
- PDF (Українська)

Full Issue

Статті

TRANSGRESSIVE PROCESSES IN THE MUSICAL ART OF POST-SOVIET COUNTRIES

UKRAINIAN MUSIC BIOGRAPHICAL RESEARCH: ON THE PROBLEM OF CHOICE OF METHODOLOGICAL COORDINATES

PECULIARITIES OF MYKOLA LASTOVETSKYI’S POLYPHONIC WRITING ON THE EXAMPLE OF “FIFTY POLYPHONIC PIECES-CANONS ON THE THEMES OF UKRAINIAN FOLK SONGS” FOR PIANO

THE CREATIVE FIGURE OF DARIA STAROSOLSKA (SHUHEVICH) IN THE CONTEXT OF THE NATIONAL AND CULTURAL LIFE OF UKRAINIANS IN LVIV AT THE END OF THE 19TH AND THE BEGINNING OF THE 20TH CENTURIES

ІНТЕРПРЕТАЦІЯ РИТМУ В ПАРТЕСНИХ ТВОРАХ

FEATURES OF THE MUSICAL LANGUAGE OF THE CHINESE ART SONG OF THE FIRST THIRD OF THE 20TH CENTURY BY HUANG ZI “THREE DESIRES OF A ROSE”

COMPOSING ACTIVITY OF V.I. SKURATOVSKYI IN THE CONTEXT OF HIS UNIVERSALISM

EVOLUTION OF SOUND: PRACTICES OF PREPARED PIANO IN MUSIC OF THE 20TH – EARLY 21ST CENTURIES

TWELVE-SOUND VERTICAL ROWS IN THE COMPOSITION GAO WEIJIE “MYSTERIOUS DREAM” FOR VIOLA AND PIANO SOLO

JIANG WENYE’S PIANO SONATAS AS THE EMBODIMENT OF THE COMPOSER’S ORIGINAL STYLE

THE SIGNIFICANCE OF MUSIC COMPOSITION IN THE ACTIVITIES OF UKRAINIAN SOCIETIES AND ART CENTERS OF GALICIA BEFORE 1939 AS A NATIONAL-CONSOLIDATING FACTOR OF THE UKRAINIAN COMMUNITY

TRADITION AND INNOVATION IN CONCERT FOR YANGQIN AND ORCHESTRA “RHAPSODY” BY WANG DANHONG

DEVELOPMENT OF EUROPEAN PERFORMANCE ON LITHOPHONE AT THE END OF THE 18TH – IN THE 19TH CENTURIES

AESTHETIC AND STYLISTIC GUIDELINES OF CHORAL ITALIAN MUSIC OF THE FIRST HALF OF THE 20TH CENTURY

MATERIALS

OBSERVATIONS ON MUSIC DURING WARS AND POLITICAL CONFLICTS

ORIGINAL UKRAINIAN DOMRA REPERTOIRE AT THE PRESENT STAGE OF DEVELOPMENT

MUSICAL YOUTH SPEAKS

LVIV'S MUSICAL LIFE AFTER FEBRUARY 24, 2022

CONCERT LIFE, REVIEWS

THROUGH THE PAGES OF OLEKSIY VOITENKO'S BOOK "IN MEMORIAM. COMPOSER VOLODYMYR ZAHORTSEV"

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