No. 53 (2025): Scientific collections of the Lviv National Academy of Music named after M. V. Lysenko

Статті

• SPECIFICS OF PERFORMING THE BAROQUE TRUMPET REPERTOIRE BY CONTEMPORARY MUSICIANS: HISTORICAL, INTERPRETATIVE AND DIDACTIC ASPECTS (ON THE EXAMPLE OF LEOPOLD MOZART’S CONCERTO IN D MAJOR)

  Оlexandr Baklazhenko

  3-10

  • PDF (Українська)

• EXPLORING ANCIENT MUSIC RECONSTRUCTION USING ARTIFICIAL INTELLIGENCE

  Serhii Honcharuk

  11-15

  • PDF (Українська)

• INTERPRETATION OF THE WORKS OF ROMANTIC COMPOSERS: THE PROBLEM OF PEDALIZATION

  Alla Hrinchenko, Anzhelina Mamykina

  16-21

  • PDF (Українська)

• THE GENRE OF TUBA CONCERT IN MODERN REALITIES

  Mykola Dutchak

  22-27

  • PDF (Українська)

• “PLYVE KACHA” AS A REPRESENTATION OF NATIONAL IDENTITY IN UKRAINIAN MUSICAL ART

  Olena Zaverukha, Yana Kyrylenko, Sukhomlinova Tetiana

  28-35

  • PDF (Українська)

• WORKS BY F. CHOPIN IN THE REPERTOIRE OF CONTEMPORARY JAPANESE PIANISTS

  Danli Lin

  36-42

  • PDF (Українська)

• EUROPEAN INTEGRATION PROCESSES IN THE DEVELOPMENT TRENDS OF MODERN MUSICAL PERFORMANCE OF UKRAINE

  Yurii Pogoretskyi, Iryna Starodub

  43-47

  • PDF (Українська)

• THE ARCHETYPE OF ODARKA FROM THE OPERA “KUPALO” BY A. VAKHNIANYN AS A REFLECTION OF THE MENTAL TRAITS OF UKRAINIANNESS

  Oksana Pshenychna

  48-55

  • PDF (Українська)

• VOLODYMYR RUNCHAKʼS BAYAN CREATIVITY IN LIGHT OF ARTISTIC IDEOLOGICAL AND GENRE STYLE INNOVATIONS OF UKRAINIAN MUSIC CULTURE

  Andriy Sumaruk

  56-61

  • PDF (Українська)

• PIANO MINIATURES BY N. NYZHANKIVSKYI IN THE INTERPRETATIONS OF M. KRUSHELNYTSKA AND O. KOZARENKO

  Fu Yuanyuan

  62-67

  • PDF (Українська)