No. 3-4 (33-34) (2019): Ukrainian music: scientific journal

Статті

• MUSIC PUBLISHING AS A SEGMENT OF MUSICAL INFRASTRUCTURE OF UKRAINE IN THE FOCUS OF MODERN PUBLIC NEEDS

  Zoryana Lastovetska-Solanska

  5-11

  • PDF (Українська)

• SONATA FOR TWO VIOLINS IN AESTHIC SEARCHS OF XX CENTURY: SERGEY PROKOFIEV, HENRYK MIKOLAJ GURECKI AND EDISON DENISOV

  Anna Dzialak-Savytska

  12-21

  • PDF (Українська)

• THE OPERA ARIAS OF UKRAINIAN COMPOSERS IN VOICE TRAINING: DIDACTIC PERSPECTIVE

  Іryna Makovetska

  22-29

  • PDF (Українська)

• FACTORS OF THE CREATION OF THE VIOLIN ART IN CHINESE CULTURE

  Chen Mengwei

  30-35

  • PDF (Українська)

• ACCORDION THROUGH THE LENS OF MODERNITY: TANGO AND FANTASIA GALICIANA BY THE LVIV COMPOSER BOHDAN SEGIN

  Andrew Oleksiuk

  36-46

  • PDF (Українська)

• ADAPTATION OF SYMPHONY WORKS FOR BAYAN: «SCHERZO» FROM THE OPERA «LOVE TO THREE ORANGES» BY SERGII PROKOFIEV

  Galynа Oleksiv

  47-53

  • PDF (Українська)

• PIANO CYCLE QUAN ZIHAO "LONG AND SHORT COMBINATION" AS AN EXAMPLE OF AVANT-GARDE MUSIC OF THE NEW CHINA

  Cao Shiu

  54-60

  • PDF (Українська)

• CONCERT POSTERS AS A SOURSE OF RESEARCH FOR PIANO PERFORMANCE IN CHINA IN THE BEGINNING OF THE 1980-TH

  Feng Yiran

  61-67

  • PDF (Українська)

• PECULIARITIES OF THE PERFORMANCE INTERPRETATION OF A. YAKOVCHUK’S POLYPHONIC CYCLE «12 PRELUDES AND FUGUES»

  Liutsiia Tsyhaniuk

  68-77

  • PDF (Українська)

• PICTORIAL AND COLORISTIC ELEMENTS OF VASYL BARVINSKY’S PIANO STYLE

  Natalia Posikira-Omelchuk

  78-87

  • PDF (Українська)

• LISZT’S UNKNOWN PIANO CONCERTO: RETURNING FROM NOTHINGNESS

  Andrii Makarevych

  88-100

  • PDF (Українська)

• CREATIVE PORTRAIT OF JOSEPH UMSTATT

  Oksana Velychko

  101-107

  • PDF (Українська)

• MODERN PERFORMING TOOLS WHILE PLAYING SPIRITUAL INSTRUMENTS

  Jaroslav Horbal

  108-116

  • PDF (Українська)

• THE WORKS OF ANCIENT CHINA THINKERS AS TESTIMONY TO THE FORMATION OF MUSIC PEDAGOGУ, AESTHETICS AND CRITICISM

  Gao Jin

  117-124

  • PDF (Українська)

• THE REGIONAL ASSOCIATION OF AMATEUR COMPOSERS AS AN IMPORTANT CENTER FOR THE DEVELOPMENT OF THE MUSICAL CULTURE OF ZAPORIZHZHIA IN THE SECOND HALF OF THE 20TH AND THE BEGINNING OF THE 21ST CENTURIES

  Olexandr Antonenko

  125-132

  • PDF (Українська)

• A LIFE DEDICATED TO MUSIC

  Mariia Makara

  133-135

  • PDF (Українська)

• "MAN OF THE WORLD" AND GREAT FRIEND OF UKRAINIAN MUSICIANS

  Olha Katrych

  136-137

  • PDF (Українська)

• ANCIENT MUSIC NOTATION: GRAPHIC FEATURES OF RECORDING PITCH AND RHYTHM

  Mariia Kachmar

  138-146

  • PDF (Українська)

• CHORAL FUGU FROM THE RESURRECTION CANON OF M. DILETSKY: ORIGINAL VERSION

  Olha Shumilina

  147-150

  • PDF (Українська)

• MODEST MENTSINSKY IN LETTERS TO OLEKSANDR OLES

  Oksana Martynenko

  151-153

  • PDF (Українська)

• IHOR KUSHPLER AS A MANAGER OF MUSICAL ART: RESEARCH, SYNTHESIS, ACHIEVEMENTS

  Myroslava Zhyshkovych, Liudmyla Obukh

  154-159

  • PDF (Українська)

• "FATHER" OF AMERICAN MUSICOLOGY OTTO KINKELDEY

  Mark-Yefrem Novakovych

  160-165

  • PDF (Українська)

• LVIVMOZART–2019 IN 3 PARTS: MUSIC AND LITERATURE, VIRTUALITY, EXPERIMENT

  Stefaniia Oliinyk, Natalia Mendiuk

  166-177

  • PDF (Українська)

• MEMENTO MORI ‒ VIVERE MEMENTO!

  Oleksandr Kozarenko

  178-179

  • PDF (Українська)

• IN MEMORY OF ETELLA CHUPRYK

  Liubov Kyianovska

  180-181

  • PDF (Українська)