No. 49 (2023): Scientific collections of the Lviv National Music Academy named after MV Lysenko

Статті

• THE SPECIFICS OF CONDUCTING MUSICAL CLASSES WITH CHILDREN WITH AUTISM

  Myroslava Arestovych

  3-8

  • PDF (Українська)

• THE ARTIST AND THE GOVERNMENT: AN ATTEMPT AT AN UNBIASED ASSESSMENT OF THE MUSICAL CULTURE OF SOVIET-ERA LVIV

  Lyubov Kiyanovska, Lidiia Melnyk

  9-16

  • PDF (Українська)

• INNOVATIVE APPROACHES TO THE PROFESSIONAL TRAINING OF FUTURE TEACHERS OF CONDUCTING AND PERFORMING SKILLS IN HIGHER EDUCATION

  Mariia Kuziv, Taras Pukhalskyi

  17-21

  • PDF (Українська)

• CHANGES IN THE STRUCTURE OF THE SOUND MATERIAL OF ELECTROACOUSTIC WORKS BY UKRAINIAN COMPOSERS OF THE END OF THE 20TH – BEGINNING OF THE 21ST CENTURY IN THE CONTEXT OF SOCIO-POLITICAL CHANGES

  Ostap Manulyak

  22-27

  • PDF (Українська)

• CONTEMPORARY BANDURA ART AS AN EMBODIMENT OF THE CULTURAL CODE OF UKRAINIANS

  Khrystyna Petrynka

  28-40

  • PDF (Українська)

• SOUND LANDSCAPE AND ECO-CONSCIOUSNESS IN MODERN UKRAINIAN ELECTROACOUSTIC MUSIC

  Mykhailo Romanyshyn

  41-44

  • PDF (Українська)

• KEY COMPONENTS OF THE CREATIVE METHOD ОF THE OPERA-SYMPHONIC AND CHORAL CONDUCTOR

  Yuliia Symeonova

  45-51

  • PDF (Українська)

• FORMATION OF PROFESSIONAL REPERTOIRE IN THE CONTEXT OF HISTORICAL AND SOCIAL FUNCTIONS OF BANDURA CREATIVITY

  Olyana-Kvitoslava Sozanska

  52-59

  • PDF (Українська)

• SYMBOLS OF NATURE IN THE EMBODIMENT OF PATRIOTIC FEELINGS (ON THE EXAMPLE OF CHINESE CHAMBER AND VOCAL MUSIC OF THE 20TH – 21ST CENTURIES)

  Song Hang

  60-66

  • PDF (Українська)

• THE PERSONALIZATION OF RUSSIAN AGGRESSION IN O. BILASH’S MONO-OPERA “BALLAD OF WAR” IN THE CONTEXT OF THE RECOVERY OF THE UKRAINIAN STATE

  Natalia Toloshnyak, Liudmila Rudenko

  67-71

  • PDF (Українська)