No. 2 (32) (2019): Ukrainian music: scientific journal

Статті

• FORMATION OF MODERN MUSICAL INFRASTRUCTURE OF UKRAINE

  Zoryana Lastovetska-Solanska

  5-10

  • PDF (Українська)

• THE DIALOGUE OF GENERATIONS: FROM THE HISTORY OF PERFORMING THE HIGH MASS OF JOHANN SEBASTIAN BACH IN LVIV

  Maryana Ferendovych

  11-20

  • PDF (Українська)

• «DECLINE» OF THE POSTWAR MUSIC AVANT-GARDE IN REFLECTION OF SOVIET MUSICOLOGY

  Nazar Skrypnyk

  21-31

  • PDF (Українська)

• «LVIV DODEСAPHONY SCHOOL» IN THE CONTEXT OF GALICIAN MUSICAL MODERNISM

  Oleh Rozhak

  32-44

  • PDF (Українська)

• KAROL SZYMANOWSKI AND THE DICHOTOMY BETWEEN EUROPEAN AND NATIONAL FEATURES OF MUSIC ON THE CUSP OF THE 19TH AND 20TH CENTURIES

  Olga Striletska

  45-51

  • PDF (Українська)

• MUSIC AND CHORAL ACTIVITY OF PRIEST YEVHEN TURULA IN CAPTIVE CAMPS IN AUSTRIA AND GERMANY IN 1915–1918

  Olena Gaidychuk

  52-63

  • PDF (Українська)

• SPECIFICITY OF ADAPTATION OF BAYAN WORKS FOR ACCORDION BY THE EXAMPLE OF "ACCORD IS ON – ACCORDION" BY VOLODYMYR RUNCHAK

  Halyna Oleksiv

  64-71

  • PDF (Українська)

• THE APPLICATION OF THE ROMAN GURKO’S SPIRITUAL CREATIVITY IN UKRAINIAN MUSIC PROJECTS

  Liudmyla Obukh

  72-82

  • PDF (Українська)

• THE VARIETY ACTIVITY OF MUSLIM MAGOMAYEV: VOCAL PERFORMANCE ASPECT

  Svitlana Muravitska

  83-90

  • PDF (Українська)

• THE ORIGINS OF POLYPHONIC CHORAL SINGING IN CHINESE MUSICAL CULTURE

  Ye. Yuan

  91-97

  • PDF (Українська)

• PIANO SUITE DU MING XIN «MERMAID» AS AN EXAMPLE OF THE COMBINATION OF THE PRINCIPLES OF NATIONAL AND EUROPEAN MUSICAL LANGUAGE

  Cao Shiu

  98-104

  • PDF (Українська)

• SPECIFICITY OF THE GUANGZHOU ART OF YUEJU AS A VARIETY OF PEKIN OPERA

  Ke Long

  105-110

  • PDF (Українська)

• DEVELOPMENT OF THE MUSICAL CULTURE OF KOSOVO IN HISTORICAL PERSPECTIVE AND AT THE PRESENT STAGE

  Arsim Kelmeni

  130-135

  • PDF (Українська)

• BELLS IN THE PIANO MUSIC OF CHINA (BASED ON THE WORK OF CHINESE COMPOSER WANG JIANZHONG'S "THREE VARIATIONS ON A PLUM BLOSSOM MELODY”)

  Khrystyna Fedorniak

  111-117

  • PDF (Українська)

• LYUBAVA SIDORENKO: "WITHOUT QUASI-CONFLICT AND MUSIC WOULD NOT BE INTERESTING"

  Alina Chernii

  118-121

  • PDF (Українська)

• IN SEARCH OF THE LOST FLUTE: understudied aspects of musical and iconographic sources of historical Ukraine of the XVI–XIX centuries

  Olha Milosta

  122-129

  • PDF (Українська)

• REVIEW of the monograph U. Grab Myroslav Antonovych: an intellectual biography. Emigration musicology in Ukrainian cultural creation of the post-war decades

  Liubov Kyianovska

  136-137

  • PDF (Українська)

• REVIEW for publication: Mykhailo Verbytskyi. Symphonies: monograph / text by Lilia Nazar-Shevchuk; arrangement by Ruslana Kosar. – Chernivtsi: Bukrek, 2018. – 120 p.

  Liubov Kyianovska

  137-138

  • PDF (Українська)

• IN SEARCH OF NATIONAL IDENTITY Review of M. Novakovich's monograph Galician music of the Habsburg era: in search of Ukrainian identity. Lviv: Publisher T. Tetyuk, 2019. 376 p. + 8 s. fig.

  Olha Shumilina

  139-141

  • PDF (Українська)

• THE WORLD OF PIANO ART: FOLLOWING THE PATHS OF THE FIFTH INTERNATIONAL COMPETITION-FESTIVAL "RESONANS"

  Nina Dyka

  142-147

  • PDF (Українська)

• THE WORKS OF GALITIC AVANT-GARDE COMPOSERS SOUND

  Natalia Kashkadamova

  148-150

  • PDF (Українська)