No. 2 (24) (2017): Ukrainian music: scientific journal

Статті

• A WORD ABOUT MYROSLAV ANTONOVYCH

  Uliana Hrab

  7-10

  • PDF (Українська)

• THE GLORIOUS FAMILY OF ANTONOVYCH: A CONTRIBUTION TO THE TREASURY OF UKRAINE HISTORY AND CULTURE

  Stepan Yankovskyi

  11-14

  • PDF (Українська)

• BYZANTINE CHOIR FROM UTRECHT: TO THE HISTORY OF CREATION

  Yevheniia Lazarevych

  15-21

  • PDF (Українська)

• TWO UNKNOWN RECORDS OF THE STUDENT CHOIR OF THE UKRAINIAN THEOLOGICAL SEMINARY IN KULEMBORZ UNDER THE CONDUCT OF MYROSLAV ANTONOVYCH

  Volodymyr Pylypovych

  22-24

  • PDF (Українська)

• NETHERLANDS COSSACKS IN LVIV

  Kateryna Zahnitko

  25-26

  • PDF (Українська)

• MYROSLAW ANTONOWYCH. STAGES OF PERSONAL IDENTITY FORMATION: CHILDHOOD AND YOUTH

  Ulyana Hrab

  27-37

  • PDF (Українська)

• THEOTOKOS HYMNOGRAPHY LIKE A SYSTEM OF GENRES OF THE SACRED ART

  Natalia Syrotynska

  38-44

  • PDF (Українська)

• CHORAL ARRANGEMENTS OF UKRAINIAN RELIGIOUS KANTOS AT THE BEGINNING OF THE 20TH CENTURY

  Mstyslav Yurchenko

  45-51

  • PDF (Українська)

• THE LITURGICAL CREATIVITY OF IVAN LAVRIVSKY IN THE CONTEXT OF SECULA-RIZATION OF RELIGIOUS AND CULTURAL LIFE OF GALICIA IN THE MIDDLE OF 20TH CENTURY

  Myroslava Novakovych

  52-59

  • PDF (Українська)

• JAN SLYVINS’KYJ AND HIS ORGAN FACTORY IN LVIV

  Olena Matseliukh

  59-62

  • PDF (Українська)

• EUGENE TSEHELSKYI AS THE EDUCATOR OF THE NEW GENERATION OF THE LVIV “PRAGUE SCHOOL”

  Olena Paris

  68-75

  • PDF (Українська)

• METHODOLOGICAL BASIS OF THE PRODUCTIVE SCIENTIFIC SCHOOL OF IVAN KOTLYA-REVSKY

  Elena Roschenko

  75-82

  • PDF (Українська)

• IN THE CONFRONTATION OF TIME: TRIUMPH D. M. GNATIUK ON THE OPERA STAGE IN 1954 YEAR

  Viktor Bondarchuk

  83-89

  • PDF (Українська)

• LVIV CHAMBER STRING PERFORMANCE AS A “CREATIVE MINDS” IN THE MODERN RECEPTION OF ART

  Marta Bura

  90-100

  • PDF (Українська)

• MUSICAL ART IN THE MODERN INFORMATIONAL SPACE OF UKRAINE AS MOTIVE CAUSE OF NATIONAL ART IN THE NATIONAL CONSCIOUSNESS FORMATION

  Nadija Chervinska

  100-106

  • PDF (Українська)

• POSTAVANGUARD IN PIANO CREATIVE ACTIVITY OF O. MESSIAEN AND HIS CONTEMPORARIES

  Daria Androsova

  107-114

  • PDF (Українська)

• PROVENŞAL "PROVINCIALISM" IN CREATIVE ACTIVITY D. MILHAUD (on material "Brazilian dance" and Second suite “Scaramoushe”)

  Liu Keting

  115-121

  • PDF (Українська)

• TRADITION + EXPERIMENT: THE TRUTH IS IN THE MIDDLE

  Olha Berkii

  122-128

  • PDF (Українська)

• VITALIST DMYTRO KOMONKO. CONCERT "DEDICATED TO THE TEACHER"

  Liliia Nazar-Shevchuk

  129-133

  • PDF (Українська)

• CONDUCTOR AND COMPOSER STEPAN GUMINILOVYCH: on the 100th anniversary of his birth

  Hanna Karas

  134-139

  • PDF (Українська)

• CELEBRATING THE FIFTY YEAR ANNIVERSARY

  Oksana Frait

  140-143

  • PDF (Українська)

• ANNIVERSARY MEETING OF ETHNOMUSICOLOGISTS

  Nadiia Suprun-Yaremko

  144-148

  • PDF (Українська)

• RETROSPECTIVE OF UKRAINIAN MUSIC. CONCERT OF CHAMBER ORCHESTRA "ACADEMIA" IN WARSAW

  Stefaniia Oliinyk

  149-152

  • PDF (Українська)

• III FESTIVAL OF MUSICAL ART "ACADEMIYA": TWO CONCERTS

  Natalia Mendiuk

  153-157

  • PDF (Українська)