No. 52 (2024): Scientific collections of the Lviv National Music Academy named after MV Lysenko

Статті

• POSTMODERN MUSICAL THEATER AS A SYNTHESIS OF VERBAL AND NON-VERBAL COMPONENTS

  Tetiana Bulakh

  3-7

  • PDF (Українська)

• THE LAST FLOWER «OF THE VIOLIN POET» THE CREATIVE PERSONALITY OF LADY DEAN PAULE AND HER VIEW OF VIOLIN MUSIC

  Daryna Dovha

  8-11

  • PDF (Українська)

• THE ASPECTS OF MUSIC PALAEOGRAPHY IN THE MANUSCRIPT OF DMYTRO BORTNIANSKY OPERA «FALCON» (1786) FROM THE BRITISH MUSEUM LIBRARY

  Nataliia Kliuchynska

  12-20

  • PDF (Українська)

• INDIVIDUAL STYLE OF MUSICAL CREATIVITY AS A PHENOMENON OF LIFE CREATION

  Yurii Kurach

  21-26

  • PDF (Українська)

• THE MEMORIAL GENRE IN CROATIAN ACCORDION ART (ON THE EXAMPLE OF DAVOR BOBIĆ'S WORK)

  Nadiia Parashchuk

  27-36

  • PDF (Українська)

• CONCERT SEMANTICS OF THE SOLO DOUBLE BASS IN THE WORKS BY DOMENICO DRAGONETTI (ON THE EXAMPLE OF THE СONCERTO PLAY IN D-MOLL)

  Chen Xianchun

  37-43

  • PDF (Українська)

• THE CREATION OF «META-INSTRUMENTS» AS A MEANS OF EXPANDING THE TIMBRAL PALETTE IN THE WORKS OF CHAYA CZERNOWIN: A STUDY OF «AFATSIM» AND THE STRING QUARTET

  Yana Shliabanska

  44-48

  • PDF (Українська)