No. 48 (2022): Scientific collections of the Lviv National Music Academy named after MV Lysenko

Статті

• THE VERSATILITY OF HER TALENT (CREATIVE PORTRAIT OF ANNA STANKO)

  Oksana Mykhailivna Bassa

  3-12

  • PDF (Українська)

• PHILOSOPHICAL CURRENTS OF MODERNISM AND THE FIRST UKRAINIAN MUSICAL THEORIES

  Оksana Hnatyshyn

  13-20

  • PDF (Українська)

• ANTONOVYCH’S BYZANTINE CHOIR IN UKRAINIAN POLITICAL ACTIONS: IMPORTANCE AND RISKS

  Uliana Hrab

  21-27

  • PDF (Українська)

• A COMPOSER ABOUT A COMPOSER. NEW PUBLICATIONS ABOUT MUSIC

  Volodymyr Hrabovskyi

  28-29

  • PDF (Українська)

• MYKOLA LYSENKO IS A MUSICAL SYMBOL OF UKRAINE. TO THE 180TH BIRTHDAY

  Oksana Zakharchuk

  30-33

  • PDF (Українська)

• INTERPRETATION OF SPIRITUAL SYMBOLS IN CANTATAS OF MODERN UKRAINIAN COMPOSERS (AS EXEMPLIFIED BY VICTOR KAMINSKY’S SYMPHONY-CANTATA ‘UKRAINE. THE CRUSADE’)

  Vasyl Koval

  34-40

  • PDF (Українська)

• THE INFRASTRUCTURE OF MODERN MUSICAL LIFE IN THE REGIONAL DIMENSION

  Zoryana Lastovetska-Solanska

  41-44

  • PDF (Українська)