No. 2(49) (2024): Ukrainian music: scientific journal

Статті

EARLY EDITIONS OF EDUCATIONAL MANUALS FROM THE FUNDS OF THE MYKOLA LYSENKO LVIV NATIONAL MUSIC ACADEMY LIBRARY ARCHIVE

Iryna Antonyuk

7-13
- PDF (Українська)
HALYNA MENKUSH’S SOUND RECORDINGS AS AN IMPORTANT FACTOR IN THE PRESERVATION OF THE PERFORMING ART OF BANDURISTS

Oksana Bobechko

14-24
- PDF (Українська)
CREATIVE COMPETITIONS FROM THE EDUCATIONAL PORTAL “ALABA” IN THE CONTEXT OF THE REMOTE CULTURE OF THE COMPETITIVE MOVEMENT

Tetiana Bulakh , Oksana Kohut

25-30
- PDF (Українська)
ILYA POLSKY’S CYCLE “TWENTY-FOUR CAROLS FOR PIANO” AS THE EMBODIMENT OF THE SYNTHESIS OF CREATIVE ACTIVITY

Maria Gerega

31-37
- PDF (Українська)
PECULIARITIES OF THE INTERPRETATION OF POETIC TEXT IN ‘SEVEN STRINGS’ VOCAL CYCLE BY IVAN VOVK ON THE WORDS OF L UKRAINKA

Uliana Hrab

38-49
- PDF (Українська)
THE KATERINOSLAVʼS CHURCH CHOIR ART: MUSICAL TEXT, EVENTS, PERSONALITIES

Natalia Hromchenko

50-56
- PDF (Українська)
GRASSROOTS ART IN THE POLISH ENVIRONMENT OF XIX CENTURY

Taras Dubrovnyi

57-65
- PDF (Українська)
THE ROLE OF FEMALE PERFORMANCE IN THE ORIGINS OF POP AND JAZZ MUSIC IN СHINA IN THE FIRST THIRD OF THE 20TH CENTURY IN TERMS OF GENDER ISSUES

Huiling Zhang

66-82
- PDF (Українська)
THE ROLE OF CONDUCTORS IN WORLD CULTURAL EXCHANGE OF ARTISTIC PROJECTS OF THE 20TH CENTURY

Liliia Kachurynets

83-91
- PDF (Українська)
VOCAL WORK OF EMILE JACQUES-DALCROZE: FORMATION STAGES AND GENRE-STYLE PANORAMA

Liubov Nazar

92-107
- PDF (Українська)
PIANO SONATA OP. 2 NO. 1 F-MOLL BY LUDWIG VAN BEETHOVEN: PECULIARITIES OF THE ARRANGEMENT FOR ACCORDION/ACCORDION

Oksana Pysmenna, Vasyl Yakubash

108-122
- PDF (Українська)
“ZAPOROZHETS ZA DUNAIEM” BY S. GULAK-ARTEMOVSKY – AN INTERPRETATIVE AND AXIOLOGICAL DISCOURSE

Oksana Pshenychna

123-130
- PDF (Українська)
COMPUTER TECHNOLOGIES IN MUSICIAN RESEARCH: THE UKRAINIAN EXPERIENCE

Khrystyna Ryabinets

131-137
- PDF (Українська)
MODELING OF THE RESEARCH CORPUS FOR THE COMPUTATIONAL STUDY OF UKRAINIAN SACRED MONODY

Nataliya Syrotynska, Khrystyna Ryabinets, Tetiana Shestakevych

138-145
- PDF (Українська)
MYKHAYLO DRAY-KHMARA’S EPISTOLARY HERITAGE AS A SOURCE OF UKRAINIAN MUSICOLOGY

Oleksandra Stepanska

146-161
- PDF (Українська)
FIRST VERSION OF BORYS LIATOSHYNSKY`S THIRD SYMPHONY: ON THE WAY TO THE PREMIERE

Hlib Fareniuk

162-175
- PDF (Українська)

MATERIALS

HALYNA LEVYTSKA AND STANISLAV LYUDKEVICH: CONTACTS, MUTUAL EVALUATION, CORRESPONDENCE

Yakym Horak

176-188
- PDF (Українська)
COMPENSATED PICTURE OF THE WORLD TO THE 80TH BIRTHDAY OF SVYATOSLAV KRUTYKOV

Volodymyr Hrabovskyi, Uliana Hrab

189-195
- PDF (Українська)
MUSICAL AND SPIRITUAL PATHS OF TETYANA SHUFLIN (FOR HER 85TH BIRTHDAY)

Halyna Maksymiuk

196-213
- PDF (Українська)

CONCERT LIFE, REVIEWS

IN MEMORIAN

IN MEMORY OF PROFESSOR TETYANA MOLCHANOVA

Liubov Kyianovska

221-222
- PDF (Українська)

Full Issue

Статті

EARLY EDITIONS OF EDUCATIONAL MANUALS FROM THE FUNDS OF THE MYKOLA LYSENKO LVIV NATIONAL MUSIC ACADEMY LIBRARY ARCHIVE

HALYNA MENKUSH’S SOUND RECORDINGS AS AN IMPORTANT FACTOR IN THE PRESERVATION OF THE PERFORMING ART OF BANDURISTS

CREATIVE COMPETITIONS FROM THE EDUCATIONAL PORTAL “ALABA” IN THE CONTEXT OF THE REMOTE CULTURE OF THE COMPETITIVE MOVEMENT

ILYA POLSKY’S CYCLE “TWENTY-FOUR CAROLS FOR PIANO” AS THE EMBODIMENT OF THE SYNTHESIS OF CREATIVE ACTIVITY

PECULIARITIES OF THE INTERPRETATION OF POETIC TEXT IN ‘SEVEN STRINGS’ VOCAL CYCLE BY IVAN VOVK ON THE WORDS OF L UKRAINKA

THE KATERINOSLAVʼS CHURCH CHOIR ART: MUSICAL TEXT, EVENTS, PERSONALITIES

GRASSROOTS ART IN THE POLISH ENVIRONMENT OF XIX CENTURY

THE ROLE OF FEMALE PERFORMANCE IN THE ORIGINS OF POP AND JAZZ MUSIC IN СHINA IN THE FIRST THIRD OF THE 20TH CENTURY IN TERMS OF GENDER ISSUES

THE ROLE OF CONDUCTORS IN WORLD CULTURAL EXCHANGE OF ARTISTIC PROJECTS OF THE 20TH CENTURY

VOCAL WORK OF EMILE JACQUES-DALCROZE: FORMATION STAGES AND GENRE-STYLE PANORAMA

PIANO SONATA OP. 2 NO. 1 F-MOLL BY LUDWIG VAN BEETHOVEN: PECULIARITIES OF THE ARRANGEMENT FOR ACCORDION/ACCORDION

“ZAPOROZHETS ZA DUNAIEM” BY S. GULAK-ARTEMOVSKY – AN INTERPRETATIVE AND AXIOLOGICAL DISCOURSE

COMPUTER TECHNOLOGIES IN MUSICIAN RESEARCH: THE UKRAINIAN EXPERIENCE

MODELING OF THE RESEARCH CORPUS FOR THE COMPUTATIONAL STUDY OF UKRAINIAN SACRED MONODY

MYKHAYLO DRAY-KHMARA’S EPISTOLARY HERITAGE AS A SOURCE OF UKRAINIAN MUSICOLOGY

FIRST VERSION OF BORYS LIATOSHYNSKY`S THIRD SYMPHONY: ON THE WAY TO THE PREMIERE

MATERIALS

HALYNA LEVYTSKA AND STANISLAV LYUDKEVICH: CONTACTS, MUTUAL EVALUATION, CORRESPONDENCE

COMPENSATED PICTURE OF THE WORLD TO THE 80TH BIRTHDAY OF SVYATOSLAV KRUTYKOV

MUSICAL AND SPIRITUAL PATHS OF TETYANA SHUFLIN (FOR HER 85TH BIRTHDAY)

CONCERT LIFE, REVIEWS

THE MEMORY OF THE FAMILY IS THE MEMORY OF THE PEOPLE’S CULTURE (review of Hubertus von Foss’s book “The Musical Collection of the Von Foss Family” / Hubertus von Voss, Die Musikaliensammlung der Familie von Voss, Altenburg, Verlag Klaus-Jürgen Kamprad, 20

DIALOGUES WITH THE PAST, PRESENT AND FUTURE (the premiere of Francis Poulenc’s opera “Dialogues of the Carmelites”)

IN MEMORIAN

IN MEMORY OF PROFESSOR TETYANA MOLCHANOVA

Language

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