GENRE SPECIFICITY OF YURIY LANYUK`S CHAMBER VOCAL-INSTRUMENTAL CYCLE "SONGS AFTER THE PEOPLE"

Abstract

The article defines the individual stylistic style of the composer, which consists of emotional saturation, intonational-thematic brightness, purposefulness of development, aspiration to the originality of dramatic decisions. Purpose of the article is to create a comprehensive panorama of contemporary trends in the genre of the chamber vocal-instrumental cycle, interpreted by Lviv composer Y. Lanyuk, and the study of compositional, dramatic and stylistic features of the genre in the aspect of the theory of loneliness in European musical art of the second half of the twentieth century. Methodology. The article uses methodology and methodology of systematic research combining cognitive and analytical methods, updated during the study of the individual-style amplitude of the vocal cycle of Y. Lanyuk. Scientific novelty of the work consists in the fact that the genre signs of the chamber vocal-instrumental cycle on the material of the latest highartistic samples are first observed and sequenced. Conclusions. Observations made in the article allow to conclude: the chamber vocal-instrumental cycle in the interpretation of Y. Lanyuk substantially enriches the European traditions of the era of romanticism. The newest model of the genre is distinguished by the philosophical level of the problem, intellectualization.