No. 2 (57) (2026): Ukrainian music: scientific journal

DOI: https://doi.org/10.32782/2224-0926-2026-2-57

Published: 2026-05-29

Full Issue

Завантажити номер одним файлом (Українська)

Статті

EVOLUTIONARY PROCESSES IN ROCK MUSIC OF THE SECOND HALF OF THE 1960S

Yevhen Andrieiev

7-14
- PDF (Українська)
ENSEMBLE MUSIC-MAKING AS A POLYSUBJECTIVE SPACE FOR THE DEVELOPMENT OF CREATIVE THINKING OF FUTURE TEACHERS IN THE SYSTEM OF PIANO TRAINING

Natalia Bilova

15-23
- PDF (Українська)
THE EVOLUTION OF THE CONCEPT OF INDIVIDUALITY IN SCHOLARSHIP AND ITS MUSICOLOGICAL OPERATIONALIZATION THROUGH PERFORMING STYLE, INTERPRETATION AND THE CREATIVE METHOD OF THE CONDUCTOR-CHOIRMASTER

Oleksandr Vila-Botsman

24-32
- PDF (Українська)
НЕВІДОМИЙ СКРИПАЛЬ І ПЕДАГОГ СТЕФАН ОҐРОДНІК У ДЗЕРКАЛІ ДОКУМЕНТІВ

Yakym Horak

33-53
- PDF (Українська)
THE ARIA-PRAYER ‘LORD OF HEAVEN AND EARTH!’ AS THE DRAMATIC CENTRE OF ANDRIY'S CHARACTER IN SEMEN HULAK-ARTEMOVSKY'S OPERA «ZAPOROZHETS BEYOND THE DANUBE»

Guo Jia

54-62
- PDF (Українська)
THE STUDY OF THE CREATIVE WORK OF JOHANN SEBASTIAN BACH IN THE WRITINGS OF CHRISTOPH WOLFF IN THE CONTEXT OF THE DEVELOPMENT OF BACH SCHOLARSHIP

Kateryna Zagnitko

63-69
- PDF (Українська)
SOKYRYNTSI VERTEP AS A PHENOMENON OF UKRAINIAN MUSICAL AND THEATRICAL CULTURE OF THE SECOND HALF OF THE 18TH CENTURY

Ruslan Kirsh

71-81
- PDF (Українська)
GENRE REORIENTATION OF UKRAINIAN COMPOSERS' CREATIVITY IN CONDITIONS OF FULL-SCALE WAR

Konstantin Krepak

82-88
- PDF (Українська)
SONGS OF THE UKRAINIAN SICH RIFLEMEN: GENESIS AND CULTURAL-ARTISTIC FOUNDATIONS OF FORMATION

Lidiia Makarenko

89-97
- PDF (Українська)
THE EMOTIONAL FOUNDATIONS OF MUSICAL STYLE

Mariia Obolenska , Oleksandr Ovchar

99-107
- PDF (Українська)
PIANO INTONATION AS A MECHANISM OF ARTISTIC COMMUNICATION IN THE PERFORMANCE PRACTICE OF PIANISTS

Тетяна Іванівна Олійник

108-114
- PDF (Українська)
THE NATIONAL MELODIC IDIOM IN VASYL BARVINSKY’S PIANO WORKS

Nataliia Posikira-Omelchuk

115-121
- PDF (Українська)
WORSHIP PRACTICES AND CONCERT ACTIVITIES OF PROTESTANT CHOIRS IN KYIV IN THE LATE 20TH AND EARLY 21ST CENTURIES

Olha Pryvalova

122-131
- PDF (Українська)
THE POETICS OF SOUND IN VOCAL-INSTRUMENTAL WORKS BY EUGENIUSZ KNAPIK

Lyubava Sydorenko

132-138
- PDF (Українська)
BOB BERG’S CREATIVE WORK AND ENSEMBLE PERFORMANCE PRACTICES

Mykhailo Sydorenko

139-145
- PDF (Українська)

MATERIALS

LVIV IN THE SYSTEM OF HISTORICAL MUSICAL TRANSFERS

Otto Biba

146-149
- PDF (Українська)
CHAMBER MUSIC AS THE MEANING OF LIFE CREATIVITY (TO THE 80TH ANNIVERSARY OF THE PEOPLE'S ARTIST OF UKRAINE, PROFESSOR ARTHUR MYKYTKY)

Lyubov Kiyanovska

150-160
- PDF (Українська)

No. 2 (57) (2026): Ukrainian music: scientific journal

Full Issue

Статті

EVOLUTIONARY PROCESSES IN ROCK MUSIC OF THE SECOND HALF OF THE 1960S

ENSEMBLE MUSIC-MAKING AS A POLYSUBJECTIVE SPACE FOR THE DEVELOPMENT OF CREATIVE THINKING OF FUTURE TEACHERS IN THE SYSTEM OF PIANO TRAINING

THE EVOLUTION OF THE CONCEPT OF INDIVIDUALITY IN SCHOLARSHIP AND ITS MUSICOLOGICAL OPERATIONALIZATION THROUGH PERFORMING STYLE, INTERPRETATION AND THE CREATIVE METHOD OF THE CONDUCTOR-CHOIRMASTER

НЕВІДОМИЙ СКРИПАЛЬ І ПЕДАГОГ СТЕФАН ОҐРОДНІК У ДЗЕРКАЛІ ДОКУМЕНТІВ

THE ARIA-PRAYER ‘LORD OF HEAVEN AND EARTH!’ AS THE DRAMATIC CENTRE OF ANDRIY'S CHARACTER IN SEMEN HULAK-ARTEMOVSKY'S OPERA «ZAPOROZHETS BEYOND THE DANUBE»

THE STUDY OF THE CREATIVE WORK OF JOHANN SEBASTIAN BACH IN THE WRITINGS OF CHRISTOPH WOLFF IN THE CONTEXT OF THE DEVELOPMENT OF BACH SCHOLARSHIP

SOKYRYNTSI VERTEP AS A PHENOMENON OF UKRAINIAN MUSICAL AND THEATRICAL CULTURE OF THE SECOND HALF OF THE 18TH CENTURY

GENRE REORIENTATION OF UKRAINIAN COMPOSERS' CREATIVITY IN CONDITIONS OF FULL-SCALE WAR

SONGS OF THE UKRAINIAN SICH RIFLEMEN: GENESIS AND CULTURAL-ARTISTIC FOUNDATIONS OF FORMATION

THE EMOTIONAL FOUNDATIONS OF MUSICAL STYLE

PIANO INTONATION AS A MECHANISM OF ARTISTIC COMMUNICATION IN THE PERFORMANCE PRACTICE OF PIANISTS

THE NATIONAL MELODIC IDIOM IN VASYL BARVINSKY’S PIANO WORKS

WORSHIP PRACTICES AND CONCERT ACTIVITIES OF PROTESTANT CHOIRS IN KYIV IN THE LATE 20TH AND EARLY 21ST CENTURIES

THE POETICS OF SOUND IN VOCAL-INSTRUMENTAL WORKS BY EUGENIUSZ KNAPIK

BOB BERG’S CREATIVE WORK AND ENSEMBLE PERFORMANCE PRACTICES

MATERIALS

LVIV IN THE SYSTEM OF HISTORICAL MUSICAL TRANSFERS

CHAMBER MUSIC AS THE MEANING OF LIFE CREATIVITY (TO THE 80TH ANNIVERSARY OF THE PEOPLE'S ARTIST OF UKRAINE, PROFESSOR ARTHUR MYKYTKY)

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