No. 3(54) (2025): Ukrainian music: scientific journal

Статті

CHORAL CYCLE “PSALS OF KING DAVID” BY OLEKSANDR YACOVCHUK: PECULIARITIES OF EMBODYING THE SPIRITUAL CONTENT OF THE PSALTER TEXTS

Rafail Hasanov, Olha Lihus

7-16
- PDF (Українська)
“THE GENERAL MUSIC THEORY TEXTBOOK” BY S. LIUDKEVYCH IN THE CONTEXT OF GENERALIZATION OF UKRAINIAN MUSIC TERMINOLOGY OF LATE XIX – EARLY XX

Yakym Horak

17-29
- PDF (Українська)
POST-BOP IN THE WORK OF WYNTON MARSALIS

Artem Dmytrychenkov

30-36
- PDF (Українська)
FEATURES OF THE EDITIONS OF GREEK AND SLAVIC MUSIC MANUSCRIPTS OF THE MONUMENTA MUSICAE BYZANTINAE SERIES

Maria Kachmar

37-48
- PDF (Українська)
MYKOLA LASTOVETSKYI’S SYMPHONIC CREATIVITY ON THE EXAMPLE OF THE WORK “THE LEGEND ABOUT KARMALIUK”

Zoryana Lastovetska-Solanska

49-55
- PDF (Українська)
PRELUDE AND FUGUE IN A MINOR NO. 2 BY V. ZADERATSKY AS A MUSICAL MODEL OF ANXIOUS TIME

Natalia Makarova

56-65
- PDF (Українська)
BETWEEN BODY AND TEXT: THE MUSICIAN’S SOMATIC INTELLIGENCE AS THE BASIS OF EMOTIONAL INTERPRETATION

Mariia Obolenska

66-78
- PDF (Українська)
THE FANTASY JASMINE FLOWERS BY CHU WANGHUA: SYMBOLIC IMAGERY AND ITS MUSICAL INTERPRETATION

Oksana Pysmenna, Yang Jinlin

79-86
- PDF (Українська)
UKRAINIAN MUSIC FESTIVALS OF THE LATE 1980S AS PRESENTS OF SOCIAL AND POLITICAL HARBINGERS IN UKRAINIAN

Zoriana Rosʹ , Anastasiia Balta

87-94
- PDF (Українська)
THE METRONOME: A COGNITIVE CRISIS OF MUSICAL TIME

Tetiana Samaya, Stanislav Makiyevskyi

95-103
- PDF (Українська)
MELODIC FORMULA AS A UNIVERSAL MODEL OF LITURGICAL AND FOLKLORE MELODY (BASED ON THE CORRESPONDENCE OF MYROSLAV ANTONOVYCH AND PAVLO MATSENKO)

Natalia Syrotynska, Khrystyna Ryabinets

104-115
- PDF (Українська)
NATIONAL-ROMANTIC INTERPRETATION OF THE GENRE OF THE CONCERTO FOR PIANO AND ORCHESTRA IN THE VITALIY KYREYKO’S BODY OF WORK

Iryna Shesterenko

116-123
- PDF (Українська)
SUITES FOR BANDURA IN THE WORKS OF MYKOLA DREMLIUGA

Solomia Schuliar

124-134
- PDF (Українська)

MATERIALS

MUSIC AND VALUE – VALUE IN MUSIC. PROLEGOMENA

Volodymyr Hrabovskyi

135-145
- PDF (Українська)

CONCERT LIFE, REVIEWS

IN THE RHYTHMS OF A SERIOUS ANNIVERSARY

Liubov Kyianovska

146-149
- PDF (Українська)

Full Issue

Статті

CHORAL CYCLE “PSALS OF KING DAVID” BY OLEKSANDR YACOVCHUK: PECULIARITIES OF EMBODYING THE SPIRITUAL CONTENT OF THE PSALTER TEXTS

“THE GENERAL MUSIC THEORY TEXTBOOK” BY S. LIUDKEVYCH IN THE CONTEXT OF GENERALIZATION OF UKRAINIAN MUSIC TERMINOLOGY OF LATE XIX – EARLY XX

POST-BOP IN THE WORK OF WYNTON MARSALIS

FEATURES OF THE EDITIONS OF GREEK AND SLAVIC MUSIC MANUSCRIPTS OF THE MONUMENTA MUSICAE BYZANTINAE SERIES

MYKOLA LASTOVETSKYI’S SYMPHONIC CREATIVITY ON THE EXAMPLE OF THE WORK “THE LEGEND ABOUT KARMALIUK”

PRELUDE AND FUGUE IN A MINOR NO. 2 BY V. ZADERATSKY AS A MUSICAL MODEL OF ANXIOUS TIME

BETWEEN BODY AND TEXT: THE MUSICIAN’S SOMATIC INTELLIGENCE AS THE BASIS OF EMOTIONAL INTERPRETATION

THE FANTASY JASMINE FLOWERS BY CHU WANGHUA: SYMBOLIC IMAGERY AND ITS MUSICAL INTERPRETATION

UKRAINIAN MUSIC FESTIVALS OF THE LATE 1980S AS PRESENTS OF SOCIAL AND POLITICAL HARBINGERS IN UKRAINIAN

THE METRONOME: A COGNITIVE CRISIS OF MUSICAL TIME

MELODIC FORMULA AS A UNIVERSAL MODEL OF LITURGICAL AND FOLKLORE MELODY (BASED ON THE CORRESPONDENCE OF MYROSLAV ANTONOVYCH AND PAVLO MATSENKO)

NATIONAL-ROMANTIC INTERPRETATION OF THE GENRE OF THE CONCERTO FOR PIANO AND ORCHESTRA IN THE VITALIY KYREYKO’S BODY OF WORK

SUITES FOR BANDURA IN THE WORKS OF MYKOLA DREMLIUGA

MATERIALS

MUSIC AND VALUE – VALUE IN MUSIC. PROLEGOMENA

CONCERT LIFE, REVIEWS

IN THE RHYTHMS OF A SERIOUS ANNIVERSARY

Language

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