No. 3 (29) (2018): Ukrainian music: scientific journal

Статті

• MUSIC AND MUSICIANS AT THE CONGRESS OF MONARCHS IN LUTSK IN 1429 (RECONSTRUCTION)

  Ivan Kuzminskyi

  5-13

  • PDF (Українська)

• SPREADING OF THE GREGORIAN CHANT IN UKRAINE

  Kateryna Zahnitko

  14-20

  • PDF (Українська)

• RECONSTRUCTION OF THE BIOGRAPHICAL SCENARIO OF THE LIFE-CREATIVITY OF M. BEREZOVSKYI IN THE LIGHT OF THE BASIC PROVISIONS OF THE N. SAVYTSKA’S CONCEPT OF AGE-OLD MUSICOLOGY

  Olga Shumilina

  21-28

  • PDF (Українська)

• ABOUT THE NATIONAL COMPONENT IN THE GALICIAN MUSICAL THEATER OF THE LATE 19TH AND EARLY 20TH CENTURY

  Myroslava Novakovych

  29-39

  • PDF (Українська)

• THE SINGER’S SCENIC TRANSFORMATION IN THE OPERA PERFORMANCE: PSYCHOLOGICAL ASPECTS

  Iryna Makovetska

  40-45

  • PDF (Українська)

• FEATURES OF PERFORMING SKILLS OF YEVHEN VAKHNIAK AND VOLODYMYR VASYLEVYCH

  Ivan Chupashko

  46-50

  • PDF (Українська)

• UKRAINIAN BAYAN CREATIVITY IN THE CONTEXT OF INTERACTION BETWEEN CULTURE AND ART

  Dmytro Kuzheliev

  51-57

  • PDF (Українська)

• INDIVIDUAL FEATURES OF MYROSLAV SKORYK’S CHORAL WORK, THROUGH THE PRISM OF GENRE SEMANTICS

  Ostap Maychyk

  58-65

  • PDF (Українська)

• “MOTION TRIO” IN THE CONTEXT OF MODERN POLISH ACCORDION PERFORMANCE

  Nazariy Liubinets

  66-70

  • PDF (Українська)

• CHEN QIAN’S MUSIC WORKS AS AN EXAMPLE OF THE CLARINET CREATIVE AMPLUA IN CHINESE BRASS ORCHESTRAL MUSIC

  Dan Jiakun

  71-76

  • PDF (Українська)

• HOMO IN VIA: FROM CAVE’S TWILIGHT TO THE SHINE OF NEUROART

  Natalia Syrotynska

  77-83

  • PDF (Українська)

• VOLODYMYR HOSHOVS’KYI’S FIELD RESEARCHES IN ZAKARPATTIA

  Vira Madyar-Novak

  84-93

  • PDF (Українська)

• EVALUATION CRITERIA OF AN ORCHESTRA SOUND IN CONCERT HALLS

  Oleksandr Voitovych

  94-98

  • PDF (Українська)

• THE PHENOMENON OF THE CREATIVE PERSONALITY OF ARTEMIA VEDELYA IN THE CONTEXT OF THE DEVELOPMENT OF UKRAINIAN MUSICAL ART OF THE 18TH CENTURY. (to the 210th anniversary of the death of A. Vedel)

  Oksana Zakharchuk

  99-103

  • PDF (Українська)

• VASIL BARVINSKY IN THE FORMAT INTERNATIONAL SCIENTIFIC AND PRACTICAL CONFERENCE IN LVIV

  Liliia Nazar-Shevchuk

  104-121

  • PDF (Українська)

• SOLOMIYA KRUSHELNYTSKA: MEETINGS ACROSS THE OCEAN

  Nadiia Kostianets

  122-127

  • PDF (Українська)

• DOCUMENT FOR THE HISTORY OF THE ARCHIVE MUSIC SOCIETY NAMED AFTER M. LYSENKA IN LVIV

  Yakym Horak

  128-145

  • PDF (Українська)

• MUSICAL EXPERIENCES FROM KRAKOW

  Volodymyr Hrabovskyi

  146-151

  • PDF (Українська)

• THE KALEIDOSCOPE OF THE WORLD PERCEPTION OF LYUBAVA SYDORENKO

  Alina Chernii

  152-153

  • PDF (Українська)

• "MUSIC IN GRAPHICS" AND "GRAPHICS IN MUSIC" (on the example of selected works of M. Kuzan and L. Dychko)

  Valentyna Maruniak

  154-165

  • PDF (Українська)

• THE CREATIVE PHENOMENON OF DMYTRO HNATYUK

  Liubov Kyianovska

  166-167

  • PDF (Українська)

• FIRST CRITICAL PUBLICATION OF IRMOS ACCORDING TO THE OLDEST NOTOLINE IRMOLOGY

  Mariia Kachmar

  168-169

  • PDF (Українська)

• OLEKSANDRA TSALAY-YAKYMENKO (1932–2018)

  Yurii Yasinovskyi

  170-172

  • PDF (Українська)