VOLODYMYR RUNCHAKʼS BAYAN CREATIVITY IN LIGHT OF ARTISTIC IDEOLOGICAL AND GENRE STYLE INNOVATIONS OF UKRAINIAN MUSIC CULTURE

Abstract

The article highlights creative person Volodymyr Runchak as one of the greatest a reinventor modern bayan creativity.Ukrainian bayan art is a relatively recent phenomenon in the history of national musical culture. An active stage of development occurs in the second half of the ХХ century. It is associated with qualitative renewal of music-lexical fund, innovative treatment of musical forms, extension of thematic means. Volodymyr Runchakʼs creativity covers a period the last third of the ХХ the beginning of the XXI centuries. It reflects the modern nature of music broadcasting language and corresponds to modern musical canons.The key genre, stylе, ideological and thematic directions of creativity are analyzed in light of recent trends of Ukrainian music culture. It was found that the Volodymyr Runchakʼs author’s handwriting highlights the key stylistic avenues and compositional techniques of its time, forms an experimental field of work with the sound material. The imaginative platform of creative outlook reveals the problems of spiritual life his contemporary. It was revealed that artistic and aesthetic features of composer’s creative mind fit organically into the in the postmodernist plane. Volodymyr Runchakʼs new bayan instrumental language determined the innovative character of performing arts. It is focused on empowering of intellectualism and psychologism, finding new approaches to system of expressive means and understanding the expressive potential of the instrument. Most of the works were written as deployed philosophical concepts. This requires the high art erudition and intellectual reflection from the modern viewer and performer.