EUROPEAN INTEGRATION PROCESSES IN THE DEVELOPMENT TRENDS OF MODERN MUSICAL PERFORMANCE OF UKRAINE

Abstract

The article examines current trends in the development of instrumental music performance in Ukraine in the vector of European integration processes. The article highlights the characteristic features of the transformation of performance strategies, repertoire policy, stylistic guidelines, as well as the mechanisms of entry of Ukrainian musicians into the European cultural space. The role of international cooperation, the festival movement, academic mobility and the influence of the Western European performing school are analysed. The central attention is paid to the duality of the process of development of the performing arts – the problems of identity and European integration. The activity of instrumental performers of classical and academic education in modified functions of art is considered. The mechanisms of innovative informative opportunities for studying the European scientific and creative heritage are described. The key aspects of priority areas of repertoire selection in the field of European practice trends are revealed. Changes in the educational programmes of performing arts faculties towards European systems are outlined. The article emphasises the preservation of the value factors of the performing qualities of Ukrainian artists and describes the peculiarities of modern conditions for their creative work. The study develops the concept of the newest forms of performance in online and offline formats, emphasises the practical significance of using advanced performance techniques and their classification for the universalisation of performance techniques in the modernisation of the stage image. The modelling of professional competences of the effective activity of a modern Ukrainian artist is presented. The content of the concept of performing reflection as a reaction to new cultural and European integration processes is investigated. The specificity of the performer's action and qualities on stage as a key aspect of the act of interpretation is highlighted. The cross-cultural communications and mutual exchange of performing experience on the way of the European integration process are traced.