Наукові збірки Львівської національної музичної академії імені М.В. Лисенка

Статті

• THE FORMATION OF THE TRUMPET CONCERTO GENRE IN AUSTRIAN MUSIC OF THE PRE-CLASSICAL ERA

  Оlexandr Baklazhenko

  3-11

  • PDF (Українська)

• «SONGS OF THE STARS» BY BOHDANA FROLYAK THROUGH «SHADOWS OF FORGOTTEN ANCESTORS» BY SERHIY PARAJANOV: FEATURES OF COMPOSITIONAL AND DRAMATURGICAL EMBODIMENT

  Oksana Garmel, Bohdanna Bebykh

  12-20

  • PDF (Українська)

• BEL CANTO AND CHINESE VOCAL PHONETICS: GENDER DIMENSION OF INTERCULTURAL DIALOGUE

  Victoria Gigolaeva-Yurchenko, Lee Dehun

  21-25

  • PDF (Українська)

• VOCAL FEATURES OF BANDURA PERFORMANCE: BETWEEN FOLK TRADITION AND ACADEMIC SCHOOL

  Natalia Koval

  26-30

  • PDF (Українська)

• BETWEEN SUFFERING AND ETERNITY (ON THE EXAMPLE OF THE PRELUDE AND FUGUE NO. 3 IN G MAJOR BY V. ZADERATSKY)

  Nataliya Makarova

  31-36

  • PDF (Українська)

• THE ORGANS OF THE LATIN CATHEDRAL IN LVIV AS WITNESSES TO THE MUSICAL HISTORY OF THE CITY FROM THE 15TH TO THE 21ST CENTURY

  Mark-Yefrem Novakovych

  37-45

  • PDF (Українська)

• THE MUSIC LIBRARY OF THE SAN PIETRO A MAJELLA CONSERVATORY IN THE PRESERVATION AND PROMOTION OF ITALY’S CULTURAL HERITAGE

  Olena Ponomarenko

  46-54

  • PDF (Українська)

• VIOLIN CONCERT IN UKRAINE AT THE TURN OF THE 19TH AND 20TH CENTURIES: THE ARTISTIC EXPLORATIONS BY JOSEPH KARBULKA

  Nataliia Samostrokova

  55-60

  • PDF (Українська)

• J.S. BACH’S MUSIC IN JAZZ AND POP TRANSCRIPTIONS

  Stepan Solanskyi

  61-65

  • PDF (Українська)

• MODERN TECHNIQUES AND THE SPECIFICS OF THEIR APPLICATION IN THE INTERPRETATION OF CLASSICAL GUITAR REPERTOIRE

  Oleksii Taran

  66-72

  • PDF (Українська)

• V. BARVINSKY’S PIANO WORKS IN PERFORMANCE AND RECORDING

  Fu Yuanyuan

  73-80

  • PDF (Українська)

• CHAMBER AND VOCAL WORKS BY OLENA ILNYTSKA: SEMANTIC ASPECTS

  Olena Yakymchuk

  81-88

  • PDF (Українська)

• ЕСТЕТИКА ПЕРЕКЛАДАННЯ БАРОКОВОЇ МУЗИКИ НА ГІТАРУ (НА ПРИКЛАДІ СОНАТИ ДЛЯ ФЛЕЙТИ ТА BASSO CONTINUO Й. С. БАХА, BWV 1034)

  Anton Yaloza

  89-94

  • PDF (Українська)