No. 3 (25) (2017): Ukrainian music: scientific journal

Статті

• RESEARCHION OF THE THEOTOKOS HYMNOGRAPHY IN THE SCIENTIFIC DISCOURSE

  Natalia Syrotynska

  5-13

  • PDF (Українська)

• FORMING OF THE COMMON AREA FOR COMPARATIVE ANALYSIS OF NEUMATIC AND FIVE-LINE STAFF SEMIOGRAPHY: TRANSCRIPTION AND TRANSNOTATION

  Ivan Mishchenko

  14-21

  • PDF (Українська)

• MNOHOLITSTVUVANNYA TRADITION IN UKRAINIAN COMPOSER CREATIVITY: SPIRITUAL ANTHEM OF UKRAINE «OH GOD, ALMIGHTY AND ONLY» music by M. Lysenko, lyrics by O. Konysky

  Raisa Sakharchuk

  22-28

  • PDF (Українська)

• NATIONAL AS "SINGULAR" IN THE MUSICAL CULTURE OF GALICIA IN THE FIRST HALF OF THE NINETEENTH CENTURY

  Myroslava Novakovych

  29-39

  • PDF (Українська)

• CULTURAL AND ARTISTIC CONTEXT OF THE DEVELOPMENT OF THE SOLO SONG OF LVIV (the first half of the nineteenth century)

  Emilia Bernatska-Glovala

  40-48

  • PDF (Українська)

• GALICIAN MUSIC SOCIETY IN LVIV IN MEASURING OF PUBLIC PRESTIGE

  Teresa Mazepa

  49-58

  • PDF (Українська)

• THE ROLE OF MUSIC IN THE UKRAINIAN DRAMATIC THEATER AT THE END OF THE NINETEENTH AND EARLY TWENTIETH CENTURIES

  Olesia Bilas

  59-68

  • PDF (Українська)

• FEATURES OF PERSONALIZATION OF THE MYTHOLOGEM OF MERMAID IN OPERAS «THE DROWNED MAIDEN» BY MYKOLA LYSENKO AND «ON THE WATER NYMPH'S EASTER» BY MYKOLA LEONTOVYCH

  Natalia Mendiuk

  69-75

  • PDF (Українська)

• AESTHETIC AND STYLISTIC PRINCIPLES OF PERFORMANCE OF THE MYROSLAV ANTONOVYCH’S BYZANTINE CHOIR FROM THE POINT OF VIEW OF THE HISTORICALLY ORIENTATED DIRECTION

  Yevheniia Lazarevych

  76-86

  • PDF (Українська)

• ABOUT THE IMPLEMENTATION OF POLYPHONY IN THE STRUCTURE OF THE FUTURISTIC LYRICS (ON THE SELECTED EXAMPLES OF V. KHLEBNIKOV LYRICS)

  Ksenia Dubiel

  87-93

  • PDF (Українська)

• THE HUTSUL TOPIC IN THE REPERTOIRE OF THE HONOURED CHOIR OF UKRAINE "BOYAN" NAMED AFTER YEVHEN VAKHNYAK

  Vasyl Chuchman

  102-109

  • PDF (Українська)

• TARAS SHEVCHENKO’S POETRY IN THE CHAMBER VOCAL WORKS OF GALICIAN COMPOSERS

  Bohdan Kosopud

  110-117

  • PDF (Українська)

• PAVLO HUNKA ABOUT KING DODON AND THE HEROES OF THE BELGIAN "GOLDEN ROOSTER" (Theater La Monnaie, Brussels, December 2016) (Interview of Adelina Yefimenko with Pavel Hunka)

  Adelina Yefimenko

  118-127

  • PDF (Українська)

• STEPAN MAKSYMYUK – RESEARCHER OF UKRAINIAN SOUND RECORDING (until his 90th birthday)

  Yurii Yasinovskyi

  128-129

  • PDF (Українська)

• "ZAPOROZHETS BEHIND THE DANUBE" IN THE DIRECTOR'S INTERPRETATION BY DMYTRO GNATIUK

  Viktor Bondarchuk

  94-101

  • PDF (Українська)

• STEPAN MAKSYMYUK – RESEARCHER OF UKRAINIAN SOUND RECORDING (until his 90th birthday)

  Mariia Halii

  130-134

  • PDF (Українська)

• THE HISTORY OF THE ARTISTIC IMPLEMENTATION OF THE OPERA "NATALKA POLTAVKA" BY M. V. LYSENKO ON THE STAGE OF THE LVIV NATIONAL ACADEMIC THEATER OF OPERA AND BALLET NAMED AFTER SOLOMIYA KRUSHELNYTSKA

  Ivan Yuziuk

  135-141

  • PDF (Українська)

• YEVHEN KUPCHINSKY: PRIEST, COMPOSER, CYTRIST-VIRTUOS (until the 150th birthday)

  Oksana Zakharchuk

  142-148

  • PDF (Українська)

• STUDENT TRAVELING CHOIR "TWELVE" (to the 150th anniversary of the birth of Yevhen Kupchinsky)

  Oleh Antonovych

  149-156

  • PDF (Українська)

• SHIELD SONG

  Roman Kupchynskyi

  157-160

  • PDF (Українська)

• MOZARTIAN TERRITORY: FROM TRADITION TO THE FUTURE (chronicle of events)

  Liuba Kyianovska

  161-172

  • PDF (Українська)

• PHONOGRAPHING AND PHONOARCHIVING OF FOLK MUSIC IN UKRAINE

  Nadiia Suprun-Yaremko

  173-178

  • PDF (Українська)

• MUSICAL REGIONALISTICS IN THE FOCUS OF MODERN RESEARCH

  Hanna Karas

  179-180

  • PDF (Українська)

• THE SACRED WORLD OF THE HOLY HYMNOGRAPHY

  Iryna Zinkiv

  181-182

  • PDF (Українська)

• TETYANA HRYGORIVNA SHUPYANA (January 21, 1941 – April 7, 2017)

  Nina Dyka

  183-185

  • PDF (Українська)