EUGÈNE CARDINE – FOUNDER NEW METHODS OF ANALYSIS GREGORIAN CHANT
Keywords:
Gregorian chant, semiologia, monody, paleografia, Neume, Eugène Cardine, notationAbstract
Gregorian chant is the traditional official music of the Catholic Church. In the early Middle Age the Gregorian chant was a part of the Mass and the Office Raman liturgy. The study is based on the interpretation of ancient music neumatig notation. Study methods of analysis gregorian singing of Dom Eugène Cardine, who created a new way in western studios. Eugène Cardine(1905–1988) – founder new methods of analysis Gregorian chant based on the interpretation of music neumatig notation. f. Eugene Cardine was a great semiologist. In 1968 he wrote “Gregoriana semiologia”. f. Eugene Cardine studied neumatic notation in Sant Gallen, Metz, Charts, Benevento manuscripts. Also practical problems Western monody. We stop on the characteristics melizmatyc type of performance. The basic alphabetic designations include a rhythmic component of the examples of Sant Gallen and Metz notation. He believed that vary important are Ramanian letters and signs in the Sant Gallen manuscripts. There are x (expecta), с (celeriter), t (tenete), k (clange), g (gutture), f (franfor), strictim, paratim perfecte, fidelitersimul, similiter, molliter leniter, pulcre. He wrote about two main types of rhythmic signs in the Roman chant. There are episemas (in Sant Gallen, Charts, Nonantola, Metz, Benevento, Aquintaine) and letters, first used by Romanus (singer) in eighth century. The famous works about nototion of th Gregorian chant are f. Joseph Pothier “Les melodies gregoriennes d’apres la tradition”Peter Wagner “Gregorianischen Melodien.” f. Andre Mocquereau “Le nombre musical gregorien”, Hugo Riemann “Studien zur Geschichte der Notenschrift”.
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