GENRE ATTRACTION OF THE STATING THE OPERA-BALLET "VII" BY V. GUBARENKO BASED ON TALES OF M. GOGOL

Abstract

In article explored genre-typological intertwining of created on music V. Gubarenko and editorial revising of the plot and imagery of Gogol's story presentation in Odessa theatre of the opera and ballet, in correlation with the "spirit of the times" (according to G. Hegel) and with tradition of the interpretation of image of the literary source and his music registration. It is analysed genre-style of composed, supplied tale of Gogol and opera-ballet of Gubarenko in correlating with idea of the show-phantasmagorias, accepted by director G. Kovtun in relation-ship need actual renovation to compositions in directivities on modern listener-spectator. The Findings. The analysis demonstrates hypertrophy of entertainment-dance introduction in opera-ballet, in which of a plot-scenic complications form aside from musical themes as such, creating that prevalence to showings, which significant was for opera baroque and romanticism, being unacceptable in classical and postromantic with symphonic filling operatic-mystery concept. Production G. Kovtun symptomatic for the postmodernism pulling to showings, artistic brightness is postponed stereotype of the collations vocal and dance expressions, unoriginal from practical persons 19th century, and absence mystery assotiation, so natural in osculation morally-religious pathos of the compositions M. Gogol.