THE POETICS OF LOVE IN SOUND: THEORETICAL AND PERFORMANCE ASPECTS OF PETRO HAIDAMAKA’S VOCAL CYCLE “NO ONE HAS EVER LOVED LIKE THIS” TO POEMS BY VOLODYMYR SOSIURA

Abstract

The vocal cycle No One Has Ever Loved Like This by Petro Haidamaka, based on poems by Volodymyr Sosiura, is examined as a prominent example of Ukrainian chamber vocal music of the second half of the 20th century. This work combines the profound emotionality of Sosiura’s poetry with the refinement of the composer’s musical language, creating a cohesive artistic image that reveals the multifaceted nature of love as an emotional experience.It is noted that the cycle consists of eight romances for baritone, cello, and piano, each being a musical interpretation of an individual poem by Sosiura. The unity of the cycle is ensured by the imagery and emotional direction of each poem, which together exalt love in all its fullness and complexity. The selected poems are marked by deep lyricism, emotional richness, and vivid imagery, providing the composer with wide expressive possibilities. Sosiura employs a rich arsenal of poetic devices – metaphors, epithets, rhetorical questions, and direct addresses – that lend his verses particular expressiveness and emotional power.A comprehensive analysis of each romance demonstrates a wide range of musical-expressive techniques. The vocal line is characterized by smoothness and expressiveness, enabling the transmission of the subtlest nuances of the lyrical hero’s emotions. The harmonic language is rich in coloristic nuances, underscoring the emotional states of the characters. The cello and piano parts not only accompany the vocal line but also actively participate in shaping the imagery and mood of the work, creating an appropriate emotional background.It is argued that the vocal cycle No One Has Ever Loved Like This stands as an autonomous artistic work that reveals new dimensions of the poetic text. Haidamaka skillfully conveys the emotional content of the poems, using musical means to deepen and expand their expressive imagery. The cycle serves as a vivid example of the synthesis of poetry and music, in which both art forms mutually enrich one another.This cycle represents a valuable contribution to the national musical culture and merits further study and popularization.