No. 55 (2026): Scientific collections of the Lviv National Academy of Music named after M. V. Lysenko

Статті

• EXPRESSIVE THINKING AS A COMPONENT OF THE PIANIST’S ARTISTIC SKILL IN THE PROCESS OF EMBODYING THE EMOTIONAL CONTENT OF A MUSICAL WORK

  Nataliya Bilova, Iryna Levitska

  3-8

  • PDF (Українська)

• SONG-REQUIEM “PLYVE KACHA PO TYSYNI”: SEMANTIC-PHILOSOPHICAL AND STATE-BUILDING DIMENSIONS

  Lidiia Makarenko

  9-13

  • PDF (Українська)

• PASTORAL AS A SPACE OF MEMORY AND INNER FREEDOM (ON THE EXAMPLE OF THE ANALYSIS OF “PRELUDES AND FUGUES IN A-FLAT MAJOR” NO. 17 BY V. ZADERATSKY)

  Natalia Makarova

  14-25

  • PDF (Українська)

• SVIATOSLAV RICHTER'S PIANISTIC LEGACY – AN EXAMPLE FOR YOUNG PIANISTS

  Yuriy Popov, Anastasiia Plotnikova

  26-33

  • PDF (Українська)

• FOLKLORE AS A SOURCE OF NATIONAL SYMBOLISM IN UKRAINIAN MUSIC (19TH–20TH CENTURIES)

  Nataliia Riabukha, Halyna Breslavets, Viktoriia Osypenko

  34-41

  • PDF (Українська)

• ARABESQUES IN PIANO MUSIC: FEATURES OF IMPLEMENTATION

  Stepan Solanskyi

  42-45

• THE BANDURA IN THE AESTHETIC SPACE BETWEEN ART AND POPULAR MUSIC: THE CREATIVE PHENOMENON OF OKSANA HERASYMENKO

  Solomia Schuliar

  46-51

  • PDF (Українська)